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The world is probably ending. So as we count down to Dec. 21, GlobalPost is cramming in as many stories as it can.

End of days playlist 0
Andre 3000 performing in the video for Outkast's 2000 single "B.O.B." (YouTube)

End of the World: A Playlist

Mood music to both stoke your fears and quell them, while giving your ears one last treat before the man comes around.

The bad news is that the world is ending; the good news is you’ve still got your iPod. Here’s an entirely subjective ordering of 20 songs to groove to while waiting on the apocalypse. These aren’t necessarily songs about the end of the world because, honestly, when the time comes, listening to R.E.M.’s “It’s the End of the World As We Know It” or Prince’s “1999” is going feel a little redundant. This is mood music to both stoke your fears and quell them, while giving your ears one last treat before the man comes around.

20. “London Calling,” The Clash, 1979.

The title track to the Clash’s double-album masterpiece is three and twenty seconds of marauding, paranoid menace. From the indelible sturm and drang of its bass line to Joe Strummer’s sneering pronouncement that “phony Beatlemania has bitten the dust,” “London Calling” is the sound of a band hell-bent on either saving the world or destroying it, whichever comes first.

19. “Hot Fun in the Summertime,” Sly and the Family Stone, 1969.

Only Sly Stone could fuse a string-laden 12/8 groove and sumptuous melody to a withering and deranged essay on late-1960s urban riots, just as only Sly Stone could see that twisted bit of ironic perfection go all the way to No. 2 on the Billboard Pop Charts. It’s stone-cold nihilism with a spoonful of sugar, and the exuberant declaration that “I’ll cloud nine when I want to!” is an epic middle-finger to the Temptations’ anti-drug hit of the previous year.

18. “(What’s So Funny ‘Bout) Peace, Love, and Understanding?” Elvis Costello and the Attractions, 1979.

Nick Lowe wrote “Peace, Love, and Understanding” and recorded it with his band, Brimsley Schwartz, in 1974. Lowe’s rendition is an earnest, pretty and almost nostalgic lament, a quaint postscript to the receding Sixties. Five years later Elvis Costello took one look at Lowe’s original and, with the help of its maker (Lowe produced Costello’s version), effectively tore it to shreds. Costello’s “Peace, Love, and Understanding” is throbbing and grinding desperation, teetering at the brink of chaos. “So where are the strong, and who are the trusted?” spits Elvis, with a derision that implies he already knows the answer.

17. “No Depression in Heaven,” The Carter Family, 1936.

We’ve generally tried to steer clear of religious music on this list, if only because there are so many songs about the biblical apocalypse it’s essentially a genre unto itself. That said, the Carter Family’s “No Depression in Heaven” is such a wonderfully weird and powerful piece of music that it warrants inclusion. The song casts the 1929 Crash and its aftermath as divine punishment, and its simple refrain — “I’m going where there’s no Depression” — is so beautifully evocative it feels like found poetry. Alt-country pioneers Uncle Tupelo recorded the song on their 1990 debut, fittingly titled No Depression. Sometimes history is timeless.

16. “B.O.B,” Outkast, 2000.

The lead single off Outkast’s classic album Stankonia, which also featured the megahits “Ms. Jackson” and “So Fresh So Clean,” “B.O.B.” (“Bombs Over Baghdad”) actually failed to make the US pop charts upon its release. This isn’t entirely surprising, since “B.O.B.” remains one of the most musically and thematically audacious mainstream hip-hop singles ever released, a song that sounds like nuclear warheads, party music for the end of days. The drum track on this song alone might be the entire reason Sleigh Bells exist.

15. “A Day In The Life,” The Beatles, 1967.

Not a song about the apocalypse, but as the final track on arguably the greatest rock and roll album ever made, you could do worse for endings. “I read the news today, oh boy,” might be the most portentous opening line ever written.

14. “God Save the Queen,” The Sex Pistols.

The Sex Pistols are an undeniably important band whose reputation rests more or less on three tracks, “Anarchy in the U.K.,” “Holidays in the Sun,” and this, the song that turned “no future” into an anthemic rallying cry. For all their musical ineptitude and self-destructive tendencies, at their best the Sex Pistols were smart as hell and “God Save the Queen” is so good it would have left them legends if it were the only thing they’d ever recorded. If it ever strikes you as ridiculous that this song was banned from the BBC you just haven’t listened to it recently.

13. “Freaky Freaky,” Electrik Red.

Face it, when the world ends there’s gonna be a whole lot of panic and a whole, whole lot of sex, and that’s going to need a soundtrack too. For outlandish eroticism it’s hard to top Electrik Red, a trio of female singers produced by R&B maestro The-Dream. A friend once described this song as “something you’d hear at a strip club in outer space,” more than enough to land it on this list.

12. “Moonlight Mile,” the Rolling Stones, 1971.

From 1968 to 1972 the Rolling Stones did pretty much everything well but apocalyptic tumult may have been their specialty: “Sympathy for the Devil,” “Street Fighting Man” and “Gimme Shelter” are among the most definitive markers of destruction and dread in rock and roll music. “Moonlight Mile,” the closing track of 1971’s Sticky Fingers, is something else entirely, an achingly beautiful meditation on finality whose grandiosity still carries a ragged organicism that’s unique to the Stones. “I’m just living to be lying by your side,” sings Jagger; if someone ever wrote a lyric like that about me I’d be just fine spending the end of the world with them.

11. “They Won’t Go When I Go,” Stevie Wonder, 1974.

For a guy with a well-earned reputation as one of pop’s great optimists, Stevie Wonder also has one hell of a dark side, never more blatantly than on this track off 1974’s Fulfillingness’ First Finale. While it’s admittedly an obnoxious move to write a song about how nobody’s going to heaven but yourself, when you’re good enough at music to make that song sound like Frédéric Chopin meets Mahalia Jackson you can get away with a lot.