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The Vatican has been reining in the progressive leadership of American nuns, creating a political test of wills over the future of a faith with one billion adherents worldwide as it braces for an historic papal transition. Described as a modern ‘Inquisition,’ this punitive campaign against the nuns lands on the 50th anniversary of the Second Vatican Council and raises fundamental questions about the mission of a global church and the role of nuns who were inspired by Vatican II in taking the social justice gospel directly to the world’s poor.
Kevin Grant, GlobalPost's deputy editor for special reports, talks about what it's like to report on the Mexico-Arizona border.
TUCSON, Arizona — It has too often been said that there are two sides to every story, but reporting on immigration from both sides of the fence in the sister border towns of Nogales, Arizona and Nogales, Mexico infuses this maxim with fresh, more literal meaning.
For the deported Mexican and Central American migrants biding time at Kino Border Initiative's soup kitchen on the Mexico side and desperately planning an attempt to rejoin their families in the United States, American immigration laws seem unreasonably cruel and heavy-handed, the US Border Patrol predatory and abusive.
For some homesteaders of the Sonoran Desert in Arizona and residents of the Tohono O'odham American Indian Reservation, who say undocumented immigrants carve a path of destruction through their land, official attempts to curb illegal entry don't seem nearly tough enough.
My reporting on the Roman Catholic nuns of the Missionary Sisters of the Eucharist, who provide aid to thousands of displaced migrants each year in Nogales, Mexico, aimed to start a process of understanding the complex relationship between religion and the immigration reform debate on both sides of the border.
There were many heartbreaking stories of sickness, abuse and separation. There were deeply held opinions on what should be done about the US-Mexico immigration crisis. There were appeals to the Almighty. But none of the dozens of migrants, aid workers, officers, activists, volunteers or fellow journalists I spoke with suggested they were content with the current state of affairs.
http://www.globalpost.com/dispatches/globalpost-blogs/groundtruth/reporting-immigration-and-faith-nuns-mexico-border
http://www.globalpost.com/dispatches/globalpost-blogs/groundtruth/reporting-immigration-and-faith-nuns-mexico-border
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Art Basel gathers works from around the world for its annual shows.
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Jaume Plensa's "Tel Aviv Man" at Art Basel, the world’s premier trade fair for leading galleries and collectors focused on modern and contemporary art.
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The front of the Art Basel building. This year’s show attracted 303 of the world’s top galleries from 36 countries, showing the works of more than 2,500 artists. It drew more than 62,000 visitors, a new record.
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Platform Gallery's Chen Wei and one of his "Recovery Room" series at Liste Young Artist's show. By the time the week was over he had sold more than 10 works, with prices ranging from $1,800 to nearly $3,000.
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A performance spectator admires some of the pieces at Basel Art.
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A performance piece at Basel Scope, done by an unidentified nearly naked man who moved in slow motion up and down the aisles dressed like a Greek version of Mars, the god of war.
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A performance piece at Scope. The man clutched a staff, on which a plastic container for motor oil with the BP logo was impaled.
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An installation piece at Basel Art.
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An installation piece with paper tubes at Basel Art.
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A gallery scene at the Scope Basel show.
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A sculpture of Sperone Westwater Gallery's employee, Michael Short, by Evan Penny.
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Evan Penny's sculpture of Michael Short.
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A woman views Jaume Plensa's "Tel Aviv Man," (Study) 2010, Galerie Lelong, Paris.
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"Medusa marinara," 1997 — a photographic representation of the Medusa in spaghetti and tomato sauce by New York-based Brazilian artist, Vic Muniz.
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Children play around Ai Weiwei's piece, "Field," 2010.
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Heimo Sobernig's "Black Cube" sits on display outside outside.
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A piece by Yayoi Kusama titled "Pumkin."
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This blog is all about "ground truth." The observations, analysis, notes and musings posted here are based on facts gathered in the field from Africa, Asia, Europe, the Middle East and the Americas. We highlight the work of GlobalPost’s team of correspondents and other journalists, bloggers, photographers and videographers around the globe who are out there getting at the “ground truth.”
The term is actually a scientific concept defined by NASA as part of the calibration process of satellite imagery. When NASA measures something with a satellite, an employee on the ground takes the same measurement. That human measurement is known as “ground truth.” If the results differ, the "ground truth" has greater credibility than the satellite does.
In the digital age, as we are bombarded with so much information from afar, GlobalPost takes a similar approach in its journalism, valuing the idea that being there on the ground and calibrating events in human terms is the key to getting it right. We believe in “ground truth.” And this blog is dedicated to that belief.
Read the GroundTruth archive.
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