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Blood splatter and mud: all in a day's work for Vienna costumiers

In a few bright rooms near the Vienna Opera, an army of workers wield needle and thread, transform black felt almost magically into golden armour, and gleefully create blood splatter on fresh white shirts. Every season, the Art for Art costume workshop churns out hundreds of garments for Vienna's leading opera, ballet and theatre companies. And its reputation has stretched farther afield too, with fashion designer Valentino, the New York Metropolitan Opera, and even the football World Cup making use of its services.

Blood splatter and mud: all in a day's work for Vienna costumiers

In a few bright rooms near the Vienna Opera, an army of workers wield needle and thread, transform black felt almost magically into golden armour, and gleefully create blood splatter on fresh white shirts. Every season, the Art for Art costume workshop churns out hundreds of garments for Vienna's leading opera, ballet and theatre companies. And its reputation has stretched farther afield too, with fashion designer Valentino, the New York Metropolitan Opera, and even the football World Cup making use of its services.

Blood splatter and mud: all in a day's work for Vienna costumiers

In a few bright rooms near the Vienna Opera, an army of workers wield needle and thread, transform black felt almost magically into golden armour, and gleefully create blood splatter on fresh white shirts. Every season, the Art for Art costume workshop churns out hundreds of garments for Vienna's leading opera, ballet and theatre companies. And its reputation has stretched farther afield too, with fashion designer Valentino, the New York Metropolitan Opera, and even the football World Cup making use of its services.

Blood splatter and mud: all in a day's work for Vienna costumiers

In a few bright rooms near the Vienna Opera, an army of workers wield needle and thread, transform black felt almost magically into golden armour, and gleefully create blood splatter on fresh white shirts. Every season, the Art for Art costume workshop churns out hundreds of garments for Vienna's leading opera, ballet and theatre companies. And its reputation has stretched farther afield too, with fashion designer Valentino, the New York Metropolitan Opera, and even the football World Cup making use of its services.

Moscow court orders Bolshoi dancer to stay in jail

A Moscow court on Tuesday ordered the Bolshoi ballet dancer suspected of ordering an acid attack on its artistic director Sergei Filin to stay in detention until at least June 18, rejecting a petition for him to be freed. The judge extended the arrest of leading Bolshoi dancer Pavel Dmitrichenko for the investigation to finish, ruling that he was suspected of a serious crime and constituted a flight risk.

Brilliant US ballerina Tallchief dies at 88

One of America's finest ballerinas and the muse and wife of legendary choreographer George Balanchine has died, aged 88. Maria Tallchief died Thursday in Chicago, where she had founded the short-lived Chicago City Ballet, the family announced. She had previously been the dazzling prima ballerina with the New York City Ballet from 1948 to 1965, working with Balanchine, who was also briefly her husband. "My mother was a ballet legend, who was proud of her Osage heritage," said daughter Elise Paschen in a statement, referring to Tallchief's Native American background.

Runaway ballet star turns up in Moscow after fleeing London

LONDON (Reuters) - Sergei Polunin, the Royal Ballet prodigy dubbed the bad boy of dance, has turned up in Moscow after fleeing a London performance last week, a spokeswoman for his Russian ballet company said on Tuesday. It was the second vanishing act by the 23-year-old Ukrainian who dramatically quit Britain's Royal Ballet in January last year just a week before he was due to dance in "The Dream".

Top ballerina quits Russia for new challenge in London

One of Russia's biggest female ballet stars is leaving her full time job at a Saint Petersburg theatre to join London's Royal Ballet, in the latest of a string of convulsions to hit the Russian dance world. Natalia Osipova told a Russian newspaper Monday she had been given an offer she "could not refuse" to be a principal dancer at Covent Garden and would from now on only appear as a guest soloist at the Mikhailovsky Theatre in Saint Petersburg.

Ex-Bolshoi soloist alleges dancers 'forced into sex'

Former Bolshoi soloist Anastasia Volochkova has accused the beleaguered theatre of forcing female dancers to sleep with wealthy patrons, in claims that the general director Anatoly Iksanov on Tuesday dismissed as "ravings". The outspoken dancer, fired from the Bolshoi in 2003 for being too bulky, made the accusations against the scandal-mired Bolshoi in a television talk show on Sunday and repeated them in a radio interview.

Bolshoi will withstand acid attack on director - Putin aide

By Alexei Anishchuk and Steve Gutterman MOSCOW (Reuters) - President Vladimir Putin's spokesman said on Wednesday that an acid attack that severely injured the Bolshoi Ballet's artistic director would not ruin the theatre's reputation. Putin has not spoken publicly about the January 17 attack, which shocked many Russians, revealed discord in the theatre and left doctors fighting to save victim Sergei Filin's eyesight.
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